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2018/06/27 |
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Yes, I love it! alliancehealthandwellness.org O’Brien, now in her eighties, had a late flowering into diversity. “Shovel Kings” remembers young Irishmen laying the gas pipes of London; “Black Flower” concerns the release from prison of a Republican fighter, and “Brother”, a linguistic outburst, that reels with the inventiveness of its heroine’s dialect and her murderous thoughts. Depending on one’s taste, one could wish O’Brien did more of that than the affairs with powerful men conducted in London, Dublin, New York and by the Med. The various worlds of her longer fiction are here in microcosm.
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