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For me, though, the strangest thing about Breakfast with Lucian is that it contains so little of substance about painting – the presiding, obsessive activity of Freud’s life. Greig overloads the book with innumerable diverting but trivial details about the artist: Freud liked his Earl Grey tea milky, his painkiller of choice was Solpadeine, he had at least a dozen silk or light wool scarves, he drove a brown Bentley. His favourite table at the Wolseley restaurant on Piccadilly was number 32, though he sometimes settled for 25.
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